内容简介
作者简介
目录
The theory of natural ecology beauty is put forward upon the production of up-to-date ecological science,the great danger of natural ecology crisis and farther profundity that humanity comprehends the nature,which is arousal over again and the academic self-reflection that humanity knows the natural beauty after arousal when the theory of west traditional natural beauty is absent. The theory of natural ecology beauty is the natural aesthetics theory of up-to-date modality,which is formed by looking on the natural phenomenal beauty from the natural viewpoint of organic whole on the theory of natural beauty. Natural ecological beauty is not other beauty that is different from natural beauty,but it is the special expressive form of natural beauty. Taken it from the administrative level of concept,we can say that they are the relation of prevalence and singularity or generality and individual.During the development of human history,along with the natural view of continual change,humanity has a different viewpoint and opinion about natural beauty. So far,humanity has four different historical modalities about the view of natural beauty:the theory of deiform natural beauty,the theouy of rehgionary natural beauty,the theory of mechanic natural beauty and the theory of natural ecology beauty. Among them,natural ecology beauty is the nuclear category of the theory of natural ecology beauty,it is a kind of vital sphere beauty,its nuclear value is harmonious intergrowth. Natural ecology beauty directly presents a kind of the beauty of holistic natural vital modes,which represents natural ecological vital beauty,seasonal beauty,holistic scene beauty and harmonious beauty.Natural ecology beauty can be separated into three kinds of different types:original ecological natural beauty,man-made natural beauty and the natural beauty of intergrowth,the natural ecology beauties of such three kinds of different types have respective aesthetic feeling characteristics and values. And among them,original ecological natural beauty is one beauty in itself of nature,and while it is also one kind of crude beauty;we may have cognizance of the original root of natural beauty through original ecological natural beauty;but man-made natural beauty lays out its pleasant scene when nature is rebuilt by human practice,and it is outcome of conforming to nature during humanity rebuild nature,meanwhile it is the second natural beauty and also harmonious union as one of humanity wisdom beauty and natural ecological beauty. Man-made natural beauty expresses one kind of social contents according to natural form,it reflects social aesthetic consciousness and aesthetic trend indirectly. The natural beauty of intergrowth belongs to the nature of intergrowth itself,it consists of original ecological natural and manual work,expressing penetrative state of original ecological natural and manual work. It is formed by original nature through human being ingenious decoration,and it is the natural beautiful scene that existing for human aesthetic purpose wholly,having a great ecological aesthetic value.The thinking of natural ecological beauty also embodies in Chinese classical arts,it is the reflection of Chinese traditional ecological philosophy and the thinking of natural ecological beauty in artistic realm. They are concentrated in artistic realm of Chinese classical landscape garden,landscape painting and landscape poem. It benefits us to build the theory of natural ecological beauty of up-to-date shape through studying the thinking of natural ecological beauty including in Chinese classic arts in order to serve for building harmonious consummate natural ecological beauty. In west traditional aesthetic theory,natural beauty is ignored,which is the ultimate cause that led to the theory of west natural beauty to be absent. To some extent,west estheticians ignore or debase natural beauty,even expel it from their aesthetic theories when they probe into natural beauty from ancient Greece till Germany classicalism as well as Russian realistic aestheticians. Although some aestheticians talk about natural beauty once in a while or study it to some extent,they do not achieve a kind of academic or holistic self-knowledge about natural beauty. West aestheticians look down on natural beauty in the extreme,the main cause is the thought mode of dimidiate subject-object and the traditional thinking of anthropocentrism. We can research into the rear absent cause of the theory on the west traditional natural beauty. This is beneficial to clear up the bad impact of the theory about mechanical natural beauty for building up the theory of natural ecological beauty under a new era qualification.So,we will actively establish natural ecological harmonious beauty under the guidance of organic holistic natural view,and on the base of this,motivating the social ecological harmonious beauty and spiritual ecological harmonious beauty to be carried out,therefore,making three of them influence and promotion each other,finally walking up the wise of existent road with healthy harmonious order.Keywords:The Theory of Natural Ecology Beauty;The Natural View of Organic Whole;Natural Ecology Beauty;Ecology Harmonious Beauty
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张子程:男,汉族,1964年8月生,内蒙古乌兰察布市察右中旗人。现为中华美学学会会员,国际美学学会会员,内蒙古师范大学文学院副教授。1986年毕业于内蒙古大学哲学系,曾任职于内蒙古乌兰察布职业学院。2001年考入南开大学东方艺术系,师从彭修银先生攻读美学专业硕士研究生。2004年入南开大学文学院汉语言文学系,继续师从彭修银先生攻读文艺学专业博士学位,研究方向为文艺美学。2007年博士毕业后,任职于内蒙古师范大学文学院,主要从事美学和文艺学的教学与研究工作。已在各类刊物上发表学术论文20余篇。
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引言
第一章 自然生态美确立的前提条件第一节 “自然”概念内涵的确立与人在自然中的位序一 “自然”概念内涵的确立
二 自然的划界
三 人在自然中的位序
第二节 人类自然观的历史演变一 古代泛神论自然观
二 中世纪宗教自然观
三 近代机械论自然观
四 现代有机整体自然观
第三节 现代有机整体自然观之特征及自然生态美一 现代有机整体自然观的特征
二 自然生态美的内涵
三 自然生态美的具体表现
第二章 自然生态美的三种类型第一节 原生态自然美一 原生态自然美及其美感特点
二 原生态自然美的价值
第二节 人化态自然美一 人化态自然美及其美感特点
二 人化态自然美的价值
第三节 共生态自然美一 共生态自然美及其美感特点
二 共生态自然美的价值
第三章 中国古典艺术中的自然生态美思想第一节 中国古典山水园林自然生态艺术美思想一 天人合一:中国古典山水园林的精神之源
二 模山范水:中国古典山水园林的基本法则
三 宛自天开:中国古典山水园林的生态之美
四 可居可游:中国山水园林的现实之境
第二节 中国古典山水画自然生态艺术美思想一 山水画和自然具有共同的“本体”
二 自然是山水画的原生态模型
三 山水画的生态之美
第三节 中国古典山水诗词自然生态艺术美思想一 登山临水:诗人对自然山水生态美的切身体验与感悟
二 诗本天成:古典山水诗词的自然生态美特征
三 古典山水诗词的自然生态美
第四章 西方传统自然美论的缺失与人类非美的生存状态第一节 西方传统自然美论及理论得失分析一 西方传统美学家对自然美的探讨
二 西方传统美学家探讨自然美在理论上的得失分析
三 当代西方美学家对自然美的理论反思
四 西方环境美学的崛起
五 中国生态美学的滥觞
第二节 神性的消失:自然的“祛魅”一 神性自然向人的自然的转变
二 科学与自然“祛魅”
三 机械自然美论的局限性
第三节 身居危境:人类走向非美的生存状态一 自然生态危机的产生破坏了人类世代生存的美丽家园
二 自然生态危机产生的背后原因是社会生态危机
三 自然与社会生态危机伴生着人类的精神生态危机
第五章 生态和谐的美学意蕴第一节 自然生态和谐美的创建一 “全球视野”与自然生态和谐美的创建
二 自然生态和谐美的超越本质
三 自然生态和谐美与诗性思维
第二节 社会生态和谐美的追求一 生态社会是一个有机统一的整体
二 生态社会的和谐应是多样和谐的统一体
三 生态社会和谐美的追求
四 生态和谐社会人的全面发展与生态美生存状态
第三节 精神生态和谐美的把握与追求一 精神生态、自然生态与社会生态
二 精神生态的和谐之维
三 精神生态和谐美的把握与追求
主要参考文献
后记
该书无电子版哦,想阅读点购买纸书吧,现在还在打折喔(⊙o⊙)